The silences in our lives and relationships are often significant. There are those silences which are filled with security and peace. Even in the midst of a frenetic world or schedule, we can still carry an inner silence – a sort of interior poise.
In the second part of his interview with Jan Regner SJ about Fratelli tutti, James Hanvey SJ reflects on the rise of populism. In many countries today, populism is growing, and the truth is being misused to the benefit of politicians. How can we reflect on this from the perspective of Pope Francis’ new letter?
James Hanvey SJ, the Society of Jesus’s Secretary for the Service of the Faith, recently spoke at length about Pope Francis’ latest encyclical to Jan Regner SJ, Editor of the Czech Jesuit review, Jezuité.
In many ways, the main themes Fratelli Tutti are recognisable to anyone who is familiar with Catholic Social Teaching. But what is different is the way in which the letter not only presents arguments and ideas for us to think about, it also invites us into an affective, reflective and imaginative relationship with its themes.
‘Rejoice ye’ – Gaudete – appears to be a late 16th century Carol set with an older medieval tune. It’s bold, lively rhythm, captures well the joyous mood of the Carol as it invites us to celebrate the birth of Christ. The lyrics and the pulsating…
This Christmas, how many grandparents are longing to hug their grandchildren and to feel their hugs in response. In the most natural way, so much is communicated in a touch that words cannot express. The French Christian philosopher, Jean-Louis Chrétien reminds us that the first evidence of the soul is the sense of touch.
The Annunciation is remarkably uncluttered. There is just the Angel and Mary: the Angel in the subtlest of movements towards her and she, wrapped but inclined towards the Angel. These subtle physical gestures carry a quiet intensity of attentiveness. Neither the Angel or Mary speak, yet we are in no doubt that they are communicating.
Even when he paints people in some sort of relationship – at a table, in a lounge or on a bed – there is always a sense of aloneness, space both defining and placing them while emphasising their singularity. His paintings all have the quality of a still-life. In their urban or domestic space, caught in a moment when they are not conscious of us, his people, which could easily be static objects, manage to engage us.